REGISTER26 PIECES
Archive
Every piece on the site, in section order. The section pages carry the same material with its photographs; this is the short way to find a title you already know.
The Drawing
Section page| Pl. | Title | What it covers |
|---|---|---|
| 01 | Paid Once, Still in Print | Pamela Colman Smith illustrated seventy-eight cards for a flat fee in 1909. The deck bears her name today; the copyright revenue it generated for over a century did not reach her. |
| 02 | Waite Wrote the Brief, and the Pictures Are Not in It | The published record of what Arthur Edward Waite specified is thin. What Pamela Colman Smith drew is far richer — and the gap between the two is where the deck lives. |
| 03 | The Sola Busca Went on Show in London in 1907 | The earliest fully illustrated seventy-eight-card deck reached a London exhibition two years before Pamela Colman Smith began drawing for Waite — and the comparison with her pip cards has been documented ever since. |
| 04 | Harris Repainted the Magus Until Crowley Stopped Asking | The Thoth Tarot took five years to paint, and one card — the Magus — was never settled. The published deck carries three printed versions because the commission's revision cycle outlasted Crowley's patience. |
| 05 | Before 1909, the Pip Cards Were Blank | Pamela Colman Smith drew fifty-six scenes that had never existed before — and every tarot artist since has had to decide what to do about that. |
| 06 | The Fool Has No Number, or the Number Is Zero | One card, two positions, and five centuries of editorial argument about where it belongs: the Fool, unnumbered or zero. |
| 07 | Salvador Dalí Designed a Tarot Deck in 1984 | A late commission produced seventy-eight paintings that fuse Surrealist imagery with the Rider-Waite-Smith canon — and raised lasting questions about how much of the work was the artist's own. |
The Press
Section page| Pl. | Title | What it covers |
|---|---|---|
| 01 | Why a Gilt Edge Drives Up the Unit Cost | Foil and pressure applied by hand after the cut: how one finishing step accounts for the largest single price gap between a standard and a luxury deck. |
| 02 | The Tuck Box Is the Part That Fails First | The cards inside a deck routinely outlast the box they came in — a consequence of engineering decisions made at print, not at the shelf. |
| 03 | Stuart Kaplan Founded U.S. Games Systems in 1968 | The Stamford, Connecticut publisher became the dominant English-language tarot house by acquiring rights, building catalogue depth, and riding a decade of extraordinary market growth. |
| 04 | Lo Scarabeo Has Printed in Turin Since 1987 | A Turin press built its catalogue on historical reproduction and licensed art, and now distributes to a global market from a single facility in Piedmont. |
| 05 | Fournier Has Been Cutting Cards in Vitoria-Gasteiz Since 1868 | One of Europe's oldest card factories still runs in the Basque Country — now as a subsidiary of the Belgian giant Cartamundi. |
| 06 | The Independent Deck Boom After the Copyright Wall Fell | The entry of the Rider-Waite-Smith images into public domain, combined with print-on-demand economics, cracked open a market that had been controlled by three or four publishers for decades. |
| 07 | Most Decks Are Printed in One Province | Follow the shipping manifest, and almost every tarot deck in the world traces back to the Pearl River Delta. |
The Mythology
Section page| Pl. | Title | What it covers |
|---|---|---|
| 01 | Antoine Court de Gébelin, 1781 | A Protestant minister with a theory about ancient Egypt looked at a card game and launched a myth that outlasted the scholarship that refuted it. |
| 02 | The Cards That Reached Europe from the Islamic World | |
| 03 | Éliphas Lévi Tied the Cards to the Hebrew Alphabet in 1854 | A French occultist's published correspondence between tarot trumps and Hebrew letters became the structural skeleton of every deck the Golden Dawn ever touched. |
| 04 | The Golden Dawn Taught a System, and the System Became the Deck | |
| 05 | Calvino Used a Tarot Pack to Build a Novel |
Collections
Section page| Pl. | Title | What it covers |
|---|---|---|
| 01 | Seventy-Four Cards in Three Cities | The most studied tarot pack in existence survives incomplete, divided across two institutions and a private collection — and the gaps are as revealing as the cards themselves. |
| 02 | What the Morgan Library Holds, and How It Got There | The Morgan's fifteen Visconti-Sforza cards are the largest surviving fragment of the pack in one place — and their acquisition history is as layered as their gilding. |
| 03 | The British Museum's Playing-Card Collection | One of the largest systematically catalogued archives of historical playing cards in the world sits in Bloomsbury — and its tarot holdings have shaped the documented record of the medium. |
| 04 | A Museum Built Around One Subject | |
| 05 | Nicolas Conver Cut His Blocks Around 1760, and Every Edition Still Argues With Them | The Marseille pattern is not a design — it is a set of tooling marks, accumulated across ink pulls and sharpened edges, that no digital scan fully settles. |
Glossary
Section page| Pl. | Title | What it covers |
|---|---|---|
| 01 | From Tarocchi to Tarot: What the Name Travelled Through | The word followed the cards north and west, changing its spelling at each border crossing. |
| 02 | How Seventy-Eight Became the Number | The 78-card structure feels axiomatic today. It was not always so, and not everyone has accepted it. |